It is not long ago that the French magazine PHOTO celebrated a significant milestone, yet, it is profoundly interesting to see that what was anticipated each and every month by thousands and thousands of enthusiasts for decades, is about to end on the heap, as so many newspapers and magazines in recent years. For years,… Continue reading The Near Death of PHOTO – a once essential medium
Unless you have been living under a rock – in photography terms – you will know that one of the great 20th century masters of the art is William Eugene Smith. The pained and often challenging character that has given us some of the greatest photographic records of all time. His work on display in… Continue reading At MAST in Bologna – Eugene Smith – Pittsburgh
In a time of great anxiety over personal privacy, protection of identity, and the right to be forgotten, it seems only fair to question the photographs of Vivian Maier. I was in Bologna last week and noticed yet another exhibition of photographs by Vivian Maier. During the same week the new privacy guidelines kicked-in in… Continue reading A Matter of Privacy – The Vivian Maier Photographs
This week Canon announced that they were discontinuing the production of analog cameras. No more film for Canon! It was maybe inevitable, even predictable. Volume manufacturers let the numbers game dictate their business. I feel a little sad, as my first serious camera was a Canon. Some 30 years ago the semi-automatic T70 became the… Continue reading The End of Analog Photography for Canon. The Dawn of a New Era
One can reasonably argue that National Geographic Magazine is the most influential magazine focused on photography, since the untimely demise of Life Magazine. One can also argue that being the most influential comes with the most responsibility. When the photo editor(s) at National Geographic select the one photograph per month from all the submissions to… Continue reading On Lions Sun and Shadow
In continuation of my previous entry on the Vintage Photograph, here is Part II: The case for giving special consideration to the vintage print is straightforward and logical. Consider that until only a few years ago, there were very, very few collectors and no photography market to speak of. Until very recently there was no… Continue reading In Support of the Vintage Photograph
Here we go again! Another famous – and now infamous – photography competition presented by London’s National History Museum admits having awarded a prize to a photograph, which is more than likely fake. The 2017 edition saw Brazilian Marcio Cabral’s photograph titled ‘The Night Raider’ win the best ‘Wildlife Photographer of the Year’ competition. Marcio… Continue reading Manipulated Photograph, Disgraced ‘Photographer’ and Another Soiled Competition
The much abused and maligned term Vintage Print is perhaps the most hotly debated attribution of all. But what does it mean? And perhaps more importantly, why does it matter? My definition, which I think is probably accepted by most dealers and galleries is a photograph printed by the artist within 12 months of the… Continue reading The Vintage Print – What is it? – Why should I care?
When looking to buy a photograph, there are a few things to consider and be comfortable with. In photographs, like most other arts, perhaps the term Provenance is the most important of all. Provenance is the collective term for the chronology of ownership from creation to the present day of a work of art. In… Continue reading Provenance – the importance of a little paperwork
I have been asked to put together an exhibition on the theme of Paris and France for a brand new spot in Copenhagen, Denmark. Having spent extended periods of my life in the City of Lights, this is a very welcome challenge. Location is not usually a way I think about my photographs, and putting… Continue reading The Gastronomy of the Eye
Perhaps I should have called this Another Kind of Portrait. I get great joy from making informal, somewhat secret photographs of people. Capturing individuals in a particular setting. I try hard to stay anonymous. Unseen. I want to achieve a natural representation of a single person in their particular moment. These are Photographs that I… Continue reading The Ones – Another kind of portrait
I don’t know whether to laugh or cry. One of the world’s most expensive photographers, born of the German post-war tradition, Andreas Gursky (b. 1952) says with a straight face: “I only pursue one goal: The Encyclopedia of Life.” Gursky is a child of the Bernd and Hilla Becher school, two masters who set out… Continue reading “I only pursue one goal: The Encyclopedia of Life.”
The Photograph – Art Versus Craft The case for a photograph being art, or craft has been argued at great length by critics, thinkers and collectors. Of course you will never get an argument from me or any other photographer, or collector. But you may still get an argument from the high-brow collector of painting… Continue reading The Photograph – Art Versus Craft
Most of my friends and fellow analog photographers (those that use film and manually develop the film and print by hand in a darkroom) have been speculating, whether the reason a digitally modified image is sold as a photograph, as opposed to digital art (a digigraph? compugraph? manipugraph?) is simply fear. The fear of facing… Continue reading Digital Photographs: Digital Media, Digigraph, Compugraph or Manipugraph?
A green stamp on the back of each of Gianni Berengo Gardin’s photographs reads: VERA FOTOGRAFIA. Vera Fotografia, because he is saying that what you see in his photograph is what was in front of him when he made the photograph. It has not been manipulated, changed or enhanced with Photoshop or other digital editing… Continue reading Vera Fotografia – A Mark of Honor
It used to be simple; photographs had a colour palette that went from black through the grays to white. Variations, such as the albumen photograph ranged from dark brown to light cream, and cyano-types went from an almost black marine blue to the palest of blue/white. However, throughout the history of the medium, most photographs… Continue reading Colour Photographs and the Collector – it is all about trust!
The world is a mess. Everywhere you look there is disappointment in leadership, pending scandals, international conflicts simmering, or on the full boil. Something that should be as simple as a conversation among fellow citizens around an independent Catalonia either inside Spain or on its own seems to be drawing out the worst in people… Continue reading The Sacred Nature of a Great Photograph
A few years ago, I was sitting on a plane en route to Madrid. I was reading what was then the International Herald Tribune. I tore out a review of a photography exhibition taking place at the time. I have had this review burning a hole in my desk drawer and it is time to… Continue reading The Photograph versus other Fine Art – Everyone is a Critic
Alfred Stieglitz is one of the key names in the history of photography. Alfred Stieglitz set art photography back 100 years! Alfred Stieglitz opened a gallery in New York called Gallery 291 in 1905. In his gallery, Mr. Stieglitz showed primarily photographs. He also published a magazine, Camera Work. An expensive, subscription only, publication dedicated… Continue reading Hating Alfred Stieglitz
What makes a great photograph? It is very, very personal. Books have been written, conferences held…. For me, I have learned that it can be a moving definition. It can change with time, but it is worthwhile to have a look at the process of becoming great. I am going to turn to the French… Continue reading What Makes a Great Photograph?
Ink and brush are the tools of the Japanese Zen monk, who hour after hour commits himself to the drawing of an enso. An enso is a circle painted in a single stroke, pen touching paper the entire time and lifted only once the circle is complete, or the ink is no more and ends… Continue reading The Philosophy of the Complete Photographer
• Last year the famous photographer Steve McCurry was caught having digitally manipulated a number of his photographs. He blamed his ‘team’ (Petapixel.com, May 6th, 2016). But what about his other family, his Magnum family? • Only a few weeks ago, Peter Vik announced he was leaving Magnum Photos, because he refused to sign a… Continue reading The Trouble at Magnum Photos, Manipulated Digital Photographs, and New Investors
Rome never quite dealt with, or reconciled its attempts at a new empire. A number of fascist architectural buildings and monuments remain much as they were at the end of the ill-fated reign of Il Duce. Rome was declared an open city during the war, something I for one am very grateful for, but there… Continue reading The Pursuit of an Imperial Past – Roman Rationalist Sculpture
I don’t know if Shōji Ueda and René Magritte ever met. Probably not, but there is an uncanny use of bowler hats and umbrellas in their photographs and paintings along with a surrealism that I think would have made them great friends. I returned from the MEP in Paris yesterday. I visited the exhibition currently… Continue reading The Photographer and the Bowler Hat – Shoji Ueda
He doesn’t look 80, more like 60! We shake hands. He lifts my old M6 from my chest to see if there is a screen on the back. There isn’t. A big smile spreads across his face and he gives me the thumbs up. It turns out that for many years, Giuseppe Leone has been… Continue reading Giuseppe Leone – The Great Sicilian
The collection of Sir Elton John counts more than 8000 photographs according to a recent interview. What I saw at the Tate Modern in London was nothing short of spectacular. A no fuss exhibition with nothing more than a short stencil intro to each room and a 4:30 minute video interview in a side-room with… Continue reading In the Company of Greatness The Sir Elton John Collection at the Tate Modern
Outside a relatively small circle, Ray Metzker does not seem to be well known or understood. I first saw his work in a booth at Paris Photo some years ago. He is truly one of the great users of light and deep shadow. A student of Harry Callahan in Chicago, Metzker went on to make… Continue reading Ray Metzker – Light and Shadow – Black and White Photography at Its Best
Bernard Plossu (born 1945) is not a well-known name in international photography, unless you happen to be French. Or at least, he was not to me. He is an avid traveler and his photography reflects everything from the journey itself, to what he sees when he gets there. I cannot say that I have known… Continue reading Discovering New Talented Photographers
Paris is bringing us Mois de la Photo (Photo Month) this April. Since 1980, the event has drawn interest from professionals, amateurs and collectors alike, and while it used to be in November, the event has moved to April and expanded to include greater Paris, hence renamed Mois de la Photo Grand Paris. How can… Continue reading Warming up for April – Mois de la Photo in Paris
Long before the photograph was invented, painters had figured out that if they had a tent, or box with a small hole in it, whatever was outside would appear on the opposite wall inverted. By the early 18th century, a small lens had been inserted in the hole to concentrate the light and make the… Continue reading Photography – A Quick History – in 375 words
For many years, I have sought that elusive moment, when something comes together in a frame that is both funny and serious at the same time. We should not well in other people’s misfortune, nor should we create so much laughter that the entire photograph becomes a joke. It is all about balance. The balance… Continue reading Humor in Photographs – the final frontier…. or not serious?
When I make a photograph, several things happen at once: I see something and start to frame the subject in my minds eye. I use my experience and my history. I reference the massive archive of photographs that I have seen during my formation as a photographer, I judge my camera settings, frame, focus and… Continue reading Making my Photographs – Simplify, Simplify, Simplify….
Much has been written about how photography has changed. How digital cameras and cell phones have changed how we see and observe, how we remember, and how we create photographs and memories. When the objective is to show your friends, post photos and perhaps brag a little about where you are, and what you are… Continue reading Death by Selfie – On Seeing and Making Photographs
It is the end of January, and we have seen the dawn of a new era in the United States. There is a new term added to the lingua franca, the alternative fact. Perhaps the digitally modified photograph is an alternative fact? I recently got an email message from a reputable interior design magazine that… Continue reading Bathing at the Temple of Lysistrata – pure fabrication! Vera Fotografia take II
On Black and White versus Colour photography The Canadian photographer Ted Grant famously said: “When you photograph people in colour, you photograph their clothes. But when you photograph people in Black and white, you photograph their souls!”, I have modified this slightly to fit my view on the eternal debate over colour versus black and… Continue reading Colour is for clothes, black and white is for the soul!
It is rare that you get to meet someone quite as enthusiastic as Alessia Paladini. She is the Director of the Contrasto Galleria in Milan, where I spent a couple of very engaging hours initially looking at the show currently hanging, which is a great mix of vintage and modern prints by Herbert List. The… Continue reading Gallery visit Milan – Herbert List and more
A few years ago, the photographer Cindy Sherman, was written up in The Wall Street Journal as being the best investment in art over the past 25 years. Cindy Sherman does not sell at photography galleries as a general rule. Her work is sold with contemporary art, i.e. graphic art, painting, sculpture and mixed media… Continue reading Buying Photographs now!
I have always thought of Harry Callahan as a cool photographer. Cool in the sense that he is cool in the way we talk about a great garment or a spectacular bit of design. But more important, he is cool in terms of how his images are composed. Unemotional and somehow distant. I don’t remember… Continue reading Visiting with Harry Callahan
On the back of each of Gianni Berengo Gardin’s photographs there is a green stamp. It reads: “Vera Fotografia”, his way of saying that what you see in his print is what was in front of him when he made the photograph. It has not been manipulated, changed or enhanced with Photoshop or other digital… Continue reading Vera Fotografia – Photography As It Should Be