Fun with the Moon Landing

I remember when in 1969 – at the age of 7 – I was watching a small black and white screen at friends’ cottage.  A small grainy picture.  I had been playing most of the day and we all gathered for the eventful moment when man – in the person of Neil Armstrong – stepped off the bottom rung and planted his boot on the surface of the moon.  I didn’t speak English at the time, so a quote would not be appropriate here, but I was very much aware of the weird huge white space suits, the oversize motorcycle helmets and the super awkward gloves that looked like they were completely useless at picking up anything.

Over the years, I have had a lot of NASA photographs pass through my hands.  I have kept a few, but mostly, I exchanged them for other things, because, I am not a great believer in the longevity of old colour photographs.  But I digress…. I did keep two.  One that I think proves beyond a reasonable doubt that actually, the moon landing never happened. It was all on a set in the Arizona desert. And to prove my point, when you go to the NASA library and look up this particular image number, it doesn’t exist!

NASA: 5-72-33899

I am only kidding, of course, but the man in the background does prove good fodder for what the conspiracy theorists all say. The wide 70s tie blowing in the wind and his high-waist brown pants and loafers. The hair.  You have to love the hair.  It reminds me a little of my dad’s hair at the time, along with the sexy mustache and the shades.  He wasn’t really supposed to be in the frame.

Of course man landed on the moon, but this particular photograph is all about the simulation, in the heat of the Arizona desert.  Can you imagine just how horrible it must have been?  Unbelievably uncomfortable.  I would imagine great relief among the chosen few, when finally they got on with it and landed on the moon, putting the strange suits to good use.

The second image I kept is usually referred to as the ‘Jumping Salute’.  I will leave it to the official description from NASA:

“Astronaut John W. Young, commander of the Apollo 16 lunar landing mission, leaps from the lunar surface as he salutes the United States flag at the Descartes landing site during the first Apollo 16 extravehicular activity. Astronaut Charles M. Duke Jr., lunar module pilot, took this picture……”

NASA: Jumping Salute

Between these two photographs, I think I have found the two most humorous from all the NASA Apollo missions.  Both are great fun, and both should be part of the celebration of what we can achieve as humans, while maintaining a smile on our faces.  Don’t forget, it was all accomplished with the computing power of the average pocket calculator (for those that remember what they looked like).

It has been 50 years since the last time.  Perhaps, it is time to renew the vision of man on the moon. Perhaps, looking back at the only planet we have, we can make sure we start to take climate change seriously!?

Harbel

Humor in Photographs – the final frontier…. or not serious?

For many years, I have sought that elusive moment, when something comes together in a frame that is both funny and serious at the same time. We should not well in other people’s misfortune, nor should we create so much laughter that the entire photograph becomes a joke. It is all about balance. The balance between the serious and the funny, in a well made photograph.

Elliott Erwitt, who in his long career has made many such photographs, and who himself will admit it is difficult, extremely difficult, said: ““Making people laugh is one of the highest achievements you can have. And when you can make them laugh and cry, alternately, like Chaplin does, now that’s the highest of all possible achievements. I don’t know that I aim for it, but I recognize it as the supreme goal.”

There are few, very few that on a consistent basis can make photographs that on the one hand make us stop and think, and on the other draws that elusive smile with the little wrinkles around the eyes. Many photographers have one, or maybe two photograph in their entire body of work that manage to hit both serious and funny at the same time in a fantastic composition, that is well lit, balanced and, as my wife would say; delicious.

Often the well made humorous photograph represents a mere split second, and there is little time to ensure that all the compositional elements are optimal and just the way you want them, have the right lighting and balance between light and shadow. More often than not, it is one of those photographs, were you see it, lift your camera, as you spin round and press the shutter, all the while praying that you have the settings right. It is only in the darkroom, or on the light table that you see what else is in the frame!

Occasionally, you get a subject that stays put long enough that you can actually take your time to move around, get the context and composition right, before you make the photograph. But, alas, this is very, very rare!

Elliott Erwitt and Martin Parr both have a terrific ability to see the quirky side of life, sometimes even creating the opportunity to make a great photograph. I am not much for staging, but I think some people are simply wired to see the bright side of life, the humour in it all! Bless them, because I enjoy their work tremendously and am always on the lookout for the elusive moment, when it all comes together.

If Elliott Erwitt was known for his serious political commentary (of which he has done lots), his documentation of major global events (he has done a lot of those too), and gorgeously composed landscapes, cityscapes, portraits, etc. (of which he has made many), would he be even more famous? Could he command higher prices for his work? I would venture that unfortunately, while humour in a photograph is perhaps the ultimate challenge, it is mostly dismissed as not serious.

Like Erwitt, Martin Parr is a great, great photographer, he has a fantastic eye for colour, composition and has the nerve to get in real close in an anonymous, flaneur kind of way, which is both revealing of the subject, yet like he was never there. His work truly captures a particular moment, an irony, a fraction of a second that can stand for all eternity, as a validation of just how terrible hair was in the 80s, and how class structures are alive and well, with big hats and chipped nail polish.

Will Martin Parr and Elliott Erwitt continue to be seen as some kind of side-show to the more serious main event? I don’t know, but it is cruel, and unfair. The work of the photographer, who manages to consistently find the fun in our daily lives, in an unencumbered way, must surely be cherished.

                                                 The dreamer. By Harbel

There will only ever be one Chaplin. 100 years on, we still view the old films with amazement, and a mixture of tears and laughter! Now, if only I could put that in a single frame….

Harbel,
San Sebastian

See more on my website: harbel.com